In The Stonewall Riots: Coming Out in the Streets, Gayle E. Pitman's "fresh storytelling brings emotion and depth to the history of a movement and the establishment that served as an epicenter for social change" (Publishers Weekly). A timely and necessary read, The Stonewall Riots helps readers understand the history and legacy of the LGBTQ+ movement. The book includes contemporary photos, newspaper clippings, and other period objects, as well as a timeline, a biography, and an index. Interviews with people involved as well as witnesses bring an immediacy to the story. In clear prose and short chapters, the book takes readers through a history of American gay life leading up to the Riots, the Riots themselves, and the aftermath. In a starred review, Shelf Awareness noted: "With meaningful content delivered in an innovative format, The Stonewall Riots deserves to be required reading for people of all ages." The Stonewall Riots were a series of spontaneous, at times violent demonstrations by members of the gay (LGBTQ+) community in reaction to a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn in the Greenwich Village neighborhood of Manhattan, New York City. The Riots are attributed as the spark that ignited the LGBTQ+ movement.

This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Counte Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving-men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent--the only ""out"" gay Harlem Renaissance artist--portrayed men-loving-men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.

Today's debates about transgender inclusion and public restrooms may seem unmistakably contemporary, but they have a surprisingly long and storied history in the United States--one that concerns more than mere "potty politics." Alexander K. Davis takes readers behind the scenes of two hundred years' worth of conflicts over the existence, separation, and equity of gendered public restrooms, documenting at each step how bathrooms have been entangled with bigger cultural matters: the importance of the public good, the reach of institutional inclusion, the nature of gender difference, and, above all, the myriad privileges of social status. Chronicling the debut of nineteenth-century "comfort stations," twentieth-century mandates requiring equal-but-separate men's and women's rooms, and twenty-first-century uproar over laws like North Carolina's "bathroom bill," Davis reveals how public restrooms are far from marginal or unimportant social spaces. Instead, they are--and always have been--consequential sites in which ideology, institutions, and inequality collide.

WANTED: One (fake) boyfriend. Practically perfect in every way. Luc O'Donnell is tangentially—and reluctantly—famous. His rock star parents split when he was young, and the father he's never met spent the next twenty years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything. To clean up his image, Luc has to find a nice, normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and he's never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately, apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened. But the thing about fake-dating is that it can feel a lot like real-dating. And that's when you get used to someone. Start falling for them. Don't ever want to let them go.

From the marvelous author of Heartstopper comes an exceptional YA novel about discovering that it's okay if you don't have sexual or romantic feelings for anyone . . . since there are plenty of other ways to find love and connection. This is the funny, honest, messy, completely relatable story of Georgia, who doesn't understand why she can't crush and kiss and make out like her friends do. She's surrounded by the narrative that dating + sex = love. It's not until she gets to college that she discovers the A range of the LGBTQIA+ spectrum — coming to understand herself as asexual/aromantic. Disrupting the narrative that she's been told since birth isn't easy — there are many mistakes along the way to inviting people into a newly found articulation of an always-known part of your identity. But Georgia's determined to get her life right, with the help of (and despite the major drama of) her friends.

Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...

This reference helps readers navigate the perilous odyssey those of an LGBTQ orientation had to face in an age less enlightened than our own, when an attraction to members of the same gender could lead to horrendous abuse.Just as American society has changed dramatically from decade to decade, so has queer cinema. Taking us from a time when LGBTQ characters were often represented as either caricatures or figures of farce, this lively yet authoritative reference explores the sea change ushered in by such stars as Greta Garbo and Marlene Dietrich in the 1930s and '40s, androgynous figures such as Montgomery Clift, James Dean, and Marlon Brando in the '50s, and closeted gay men such as Rock Hudson and Liberace, whose double lives were exposed by the scourge of AIDS.Included are alphabetically arranged entries on stars, directors, films, themes, and other topics related to queer cinema in America, including films and persons from outside the U.S. who nonetheless figured prominently in America popular culture. Entries cite works for further reading, sidebars provide snippets of interesting trivia, a timeline highlights key events, and a selected, general, end-of-work bibliography cites the most important major works on the topic.

A New York Times, USA Today, and Indie bestseller! Critically acclaimed and bestselling authors Becky Albertalli and Adam Silvera combine their talents in this smart, funny, heartfelt collaboration about two very different boys who can't decide if the universe is pushing them together--or pulling them apart. ARTHUR is only in New York for the summer, but if Broadway has taught him anything, it's that the universe can deliver a showstopping romance when you least expect it. BEN thinks the universe needs to mind its business. If the universe had his back, he wouldn't be on his way to the post office carrying a box of his ex-boyfriend's things. But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them . . . ? Maybe nothing. After all, they get separated. Maybe everything. After all, they get reunited. But what if they can't nail a first date even after three do-overs? What if Arthur tries too hard to make it work and Ben doesn't try hard enough? What if life really isn't like a Broadway play? But what if it is? What if it's us? Plus don't miss Here's to Us! Becky Albertalli and Adam Silvera reunite to continue the story of Arthur and Ben, the boys readers first fell for in What If It's Us.

Leading activist and essayist Brynn Tannehill tells you everything you ever wanted to know about transgender issues but were afraid to ask. The book aims to break down deeply held misconceptions about trans people across all aspects of life, from politics, law and culture, through to science, religion and mental health, to provide readers with a deeper understanding of what it means to be trans. The book walks the reader through transgender issues, starting with "What does transgender mean?" before moving on to more complex topics including growing up trans, dating and sex, medical and mental health, and debates around gender and feminism. Brynn also challenges deliberately deceptive information about transgender people being put out into the public sphere. Transphobic myths are debunked and biased research, bad statistics and bad science are carefully and clearly refuted. This important and engaging book enables any reader to become informed the most critical public conversations around transgender people, and become a better ally as a result.

This is the first edited collection of essays on the nineteenth-century diarist Anne Lister. Now recognized as a UNESCO world heritage document, Lister's five-million-word diaries are paradigm-shifting in terms of their range of material, from social commentary and politics to breath-taking travel accounts. However, they have become most well-known for their explicit descriptions of same-sex practices, written in code and constituting a significant portion of their content. The essays here address the variety and interdisciplinarity of the diaries: Lister's negotiations with her own 'odd' identity, her multiple same-sex relationships, her involvement in politics and her lifelong thirst for knowledge. It also addresses Lister studies in popular culture through the successful Gentleman Jack BBC-HBO series, including an interview with Sally Wainwright and foreword by author Emma Donoghue. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

What happens when America's First Son falls in love with the Prince of Wales? When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius—his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S./British relations take a turn for the worse.
Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals. What at first begins as a fake, Instragramable friendship grows deeper, and more dangerous, than either Alex or Henry could have imagined. Soon Alex finds himself hurtling into a secret romance with a surprisingly unstuffy Henry that could derail the campaign and upend two nations and begs the question: Can love save the world after all? Where do we find the courage, and the power, to be the people we are meant to be? And how can we learn to let our true colors shine through? Casey McQuiston's Red, White & Royal Blue proves: true love isn't always diplomatic.

In 1951, a new type of publication appeared on newsstands--the physique magazine produced by and for gay men. For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture. The publishers behind them were part of a wider world of "physique entrepreneurs": men as well as women who ran photography studios, mail-order catalogs, pen-pal services, book clubs, and niche advertising for gay audiences. Such businesses have often been seen as peripheral to the gay political movement. In this book, David K. Johnson shows how gay commerce was not a byproduct but rather an important catalyst for the gay rights movement. Offering a vivid look into the lives of physique entrepreneurs and their customers, and presenting a wealth of illustrations, Buying Gay explores the connections--and tensions--between the market and the movement. With circulation rates many times higher than the openly political "homophile" magazines, physique magazines were the largest gay media outlets of their time. This network of producers and consumers helped foster a gay community and upend censorship laws, paving the way for open expression. Physique entrepreneurs were at the center of legal struggles, especially against the U.S. Post Office, including the court victory that allowed full-frontal male nudity and open homoeroticism. Buying Gay reconceives the history of the gay rights movement and shows how consumer culture helped create community and a site for resistance.

LGBTQ Social Movements in America looks at social change movements in the country's LGBTQ history, including the Stonewall riots that started the modern gay rights movement and die-ins that pressured the US government to take note of the HIV/AIDS epidemic in the 1980s. Features include a glossary, further readings, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

There is a voice of longing inside each woman. We strive so mightily to be good: good partners, daughters, mothers, employees, and friends. We hope all this striving will make us feel alive. Instead, it leaves us feeling weary, stuck, overwhelmed, and underwhelmed. We look at our lives and wonder: Wasn’t it all supposed to be more beautiful than this? We quickly silence that question, telling ourselves to be grateful, hiding our discontent—even from ourselves.

This inspiring and moving story, told from the heart of an extraordinary family, recounts the emotional and uplifting journey of raising a transgender son. Janna Barkin's family has come a long way since their child, Amaya, first told them he was a boy and not a girl and this captivating memoir charts the family's experiences of raising Amaya, from birth through to adulthood. With powerful chapters written by Amaya's family and friends, Janna shares personal stories of the support and discoveries her family has encountered and provides a 'care package' of advice for families facing similar issues, including a glossary of terms and a list of hand-picked support sources. Written with warmth and humor, He's Always Been My Son reminds us to accept others for who they are and will support, educate and inspire anyone who reads it.

What's more important: knowing the truth or keeping the peace? When her family moves to Bardell, Georgia, on the cusp of her senior year, Avery Anderson is uprooted from DC and thrust into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery's mom and Mama Letty makes for a frosty arrival and reveals a decades-old conflict they refuse to talk about. Every time Avery tries to look deeper, she's turned away, leaving her desperate to unearth the secrets that divide her family. While tempers flare at home, Avery finds friendship in unexpected places: with Simone Cole, her captivating next-door neighbor, and Jade Oliver, a member of the town's most prominent family, whose mother's murder remains unsolved. As the three girls grow closer--and Avery and Simone's friendship blossoms into romance--the sharp-edged opinions of their small Southern town begin to hint at something insidious underneath. Avery soon discovers her family's roots are deeply entwined with Bardell's racist past. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built--or if some things are better left buried.

Bi: The Hidden Culture, History, and Science of Bisexuality is a provocative, eye-opening, and original book on the science of sexuality beyond gender from internationally bestselling pop-psychologist Julia Shaw. Despite all the welcome changes that have happened in our culture and laws over the past few decades in regard to sexuality, the subject remains one of the most influential but least understood aspects of our lives. For Julia Shaw, this is both professional and personal--Shaw studies the science of sexuality and she herself is proudly and vocally bisexual. It's an admission, she writes, that usually causes people's pupils to dilate, their cheeks to flush, and their questions to start flowing. Ask people to name famous bisexual actors, politicians, writers, or scientists, and they draw a blank. Despite statistics that show bisexuality is more common than homosexuality, bisexuality is often invisible. In Bi: The Hidden Culture, History, and Science of Bisexuality, Shaw probes the science and culture of attraction beyond the binary. From the invention of heterosexuality to the history of the Kinsey scale, as well as asylum seekers trying to defend their bisexuality in a court of law, there is so much more to explore than most have ever realized. Drawing on her own original research--and her own experiences--this is a personal and scientific manifesto; it's an exploration of the complexities of the human sexual experience and a declaration of love and respect for the nonconformists among us.

"A little sweet, a little sharp." --Booklist, starred review High school nemeses fall in love in Kelly Quindlen's She Drives Me Crazy, a queer YA rom com perfect for fans of Becky Albertalli and Casey McQuiston. After an embarrassing loss to her ex-girlfriend in their first basketball game of the season, seventeen-year-old Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, Irene Abraham, head cheerleader for the Fighting Reindeer. Irene is as mean as she is beautiful, so Scottie makes a point to keep her distance. When the accident sends Irene's car to the shop for weeks' worth of repairs and the girls are forced to carpool, their rocky start only gets bumpier. But when an opportunity arises for Scottie to get back at her toxic ex--and climb her school's social ladder--she bribes Irene into an elaborate fake- dating scheme that threatens to reveal some very real feelings. From author Kelly Quindlen comes a new laugh-out-loud romp through the ups and downs of teen romance, perfect for fans of Becky Albertalli.

A definitive collection of original essays on queer politics From Harvey Milk to ACT UP to Proposition 8, no political change in the last two decades has been as rapid as the advancement of civil rights for LGBTQ people. As we face a critical juncture in progressive activism, political science, which has been slower than most disciplines to study the complexity of queer politics, must grapple with the shifting landscape of LGBTQ rights and inclusion. LGBTQ Politics analyzes both the successes and obstacles to building the LGBTQ movement over the past twenty years, offering analyses that point to possibilities for the movement's future. Essays cover a range of topics, including activism, law, and coalition-building, and draw on subfields such as American politics, comparative politics, political theory, and international relations. LGBTQ Politics presents the full range of methodological, ideological, and substantive approaches to LGBTQ politics that exist in political science. Analyses focused on mainstream institutional and elite politics appear alongside contributions grounded in grassroots movements and critical theory. While some essays celebrate the movement's successes and prospects, others express concerns that its democratic basis has become undermined by a focus on funding power over people power, attempts to fragment the LGBTQ movement from racial, gender and class justice, and a persistent attachment to single-issue politics. A comprehensive, thought-provoking collection, LGBTQ Politics: A Critical Reader will give rise to continued critical discussion of the parameters of LGBTQ politics.

Finalist for the LGBTQ Nonfiction Award from Lambda Literary Queers and trans people in the 1980s and early '90s were dying of AIDS and the government failed to care. Lovers, strangers, artists, and community activists came together take care of each other in the face of state violence. In revisiting these histories alongside ongoing queer and trans movements, this book uncovers how early HIV care-giving narratives actually shape how we continue to understand our genders and our disabilities. The queer and trans care-giving kinships that formed in response to HIV continue to inspire how we have sex and build chosen families in the present. In unearthing HIV community newsletters, media, zines, porn, literature, and even vampires, Forget Burial bridges early HIV care-giving activisms with contemporary disability movements. In refusing to bury the legacies of long-term survivors and of those we have lost, this book brings early HIV kinships together with ongoing movements for queer and trans body self-determination.  

Perfect for fans of Adam Silvera and Becky Albertalli, Mason Deaver's stunning debut will rip your heart out before showing you how to heal from tragedy and celebrate life in the process."Heartfelt, romantic, and quietly groundbreaking. This book will save lives." -- Becky Albertalli, New York Times bestselling author of Simon vs. the Homo Sapiens AgendaIt's just three words: I am nonbinary. But that's all it takes to change everything.When Ben De Backer comes out to their parents as nonbinary, they're thrown out of their house and forced to move in with their estranged older sister, Hannah, and her husband, Thomas, whom Ben has never even met. Struggling with an anxiety disorder compounded by their parents' rejection, they come out only to Hannah, Thomas, and their therapist and try to keep a low profile in a new school.But Ben's attempts to survive the last half of senior year unnoticed are thwarted when Nathan Allan, a funny and charismatic student, decides to take Ben under his wing. As Ben and Nathan's friendship grows, their feelings for each other begin to change, and what started as a disastrous turn of events looks like it might just be a chance to start a happier new life.At turns heartbreaking and joyous, I Wish You All the Best is both a celebration of life, friendship, and love, and a shining example of hope in the face of adversity.

What happens when your gender doesn't fit neatly into the categories of male or female? Even mundane interactions like filling out a form or using a public bathroom can be a struggle when these designations prove inadequate. In this groundbreaking book, thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. The powerful first-person narratives of this collection show us a world where gender exists along a spectrum, a web, a multidimensional space. Nuanced storytellers break away from mainstream portrayals of gender diversity, cutting across lines of age, race, ethnicity, ability, class, religion, family, and relationships. From Suzi, who wonders whether she'll ever "feel" like a woman after living fifty years as a man, to Aubri, who grew up in a cash-strapped fundamentalist household, to Sand, who must reconcile the dual roles of trans advocate and therapist, the writers' conceptions of gender are inextricably intertwined with broader systemic issues. Labeled gender outlaws, gender rebels, genderqueer, or simply human, the voices in Nonbinary illustrate what life could be if we allowed the rigid categories of "man" and "woman" to loosen and bend. They speak to everyone who has questioned gender or has paused to wonder, What does it mean to be a man or a woman--and why do we care so much?

Winner of a 2012 Stonewall Book Award in nonfiction The first book to cover the entirety of lesbian, gay, bisexual, and transgender history, from pre-1492 to the present. In the 1620s, Thomas Morton broke from Plymouth Colony and founded Merrymount, which celebrated same-sex desire, atheism, and interracial marriage. Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to "Publick Universal Friend," refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. In the mid-nineteenth century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized "female marriage." And in the late 1920s, Augustus Granville Dill was fired by W. E. B. Du Bois from the NAACP's magazine the Crisis after being arrested for a homosexual encounter. These are just a few moments of queer history that Michael Bronski highlights in this groundbreaking book.   Intellectually dynamic and endlessly provocative, A Queer History of the United States is more than a "who's who" of queer history: it is a book that radically challenges how we understand American history. Drawing upon primary documents, literature, and cultural histories, noted scholar and activist Michael Bronski charts the breadth of lesbian, gay, bisexual, and transgender history, from 1492 to the 1990s, and has written a testament to how the LGBT experience has profoundly shaped our country, culture, and history.   A Queer History of the United States abounds with startling examples of unknown or often ignored aspects of American history--the ineffectiveness of sodomy laws in the colonies, the prevalence of cross-dressing women soldiers in the Civil War, the impact of new technologies on LGBT life in the nineteenth century, and how rock music and popular culture were, in large part, responsible for the devastating backlash against gay rights in the late 1970s. Most striking, Bronski documents how, over centuries, various incarnations of social purity movements have consistently attempted to regulate all sexuality, including fantasies, masturbation, and queer sex. Resisting these efforts, same-sex desire flourished and helped make America what it is today.   At heart, A Queer History of the United States is simply about American history. It is a book that will matter both to LGBT people and heterosexuals. This engrossing and revelatory history will make readers appreciate just how queer America really is.

When Neema Avashia tells people where she's from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles. Another Appalachia examines both the roots and the resonance of Avashia's identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.

For the fiftieth anniversary of the Stonewall uprising, an anthology chronicling the tumultuous fight for LGBTQ rights in the 1960s and the activists who spearheaded it, with a foreword by Edmund White. Finalist for theRandy Shilts Award for Gay Nonfiction, presented by The Publishing Triangle Tor.com, Best Books of 2019 (So Far) Harper's Bazaar, The 20 Best LGBTQ Books of 2019 The Advocate, The Best Queer(ish) Non-Fiction Tomes We Read in 2019 June 28, 2019 marks the fiftieth anniversary of the Stonewall uprising, which is considered the most significant event in the gay liberation movement, and the catalyst for the modern fight for LGBTQ rights in the United States. Drawing from the New York Public Library's archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots. Most importantly the anthology spotlights both iconic activists who were pivotal in the movement, such as Sylvia Rivera, co-founder of Street Transvestites Action Revolutionaries (STAR), as well as forgotten figures like Ernestine Eckstein, one of the few out, African American, lesbian activists in the 1960s. The anthology focuses on the events of 1969, the five years before, and the five years after. Jason Baumann, the NYPL coordinator of humanities and LGBTQ collections, has edited and introduced the volume to coincide with the NYPL exhibition he has curated on the Stonewall uprising and gay liberation movement of 1969.

The Pocket Guide to LGBTQ Mental Health is a down-to-earth, informative, and affirming manual for mental health clinicians working with patients of diverse gender and sexual identities. In recent years, people have begun to grapple with these issues in a healthier, more public way, and mental health practitioners must be prepared to meet their patients with the knowledge, understanding, and grasp of the context in which patients live their lives. The editors have brought their specialized knowledge to the project and, along with contributors who are experts in the field of LGBTQ mental health, have created a book of uncommon empathy. The volume's structure is simple, consistent, and effective, with 10 chapters covering lesbian, gay, bisexual, transgender, queer, questioning, intersex, asexual, pansexual, and allied individuals. Some chapters overlap because some people identify with more than one of these identities. The writers have drawn on both the scientific literature and their own clinical experience to create a volume that is informative, practical, and easy to read. The book possesses an abundance of useful features: * All diagnostic and treatment discussions are based on the latest information found in DSM-5.* Each chapter includes straightforward, real-world, and evidence-based answers to "Questions Well-Meaning People Ask"--essentially, "What would patients, their friends, their parents, their physicians like to know about being X, Y, or Z?"* A special section in each chapter addresses themes that may emerge during therapy, preparing the clinician to identify and respond sensitively and knowledgeably to issues that may become salient as counseling progresses.* Each chapter concludes with "Five Take-Home Points," a handy summary of the most important information, allowing the reader to identify essential material and consolidate learning.* An extensive collection of resources is included, helping the reader to locate more information on reliable websites and from other authoritative sources. Written in a conversational style that will appeal to patients and families, as well as clinicians, the Pocket Guide to LGBTQ Mental Health explores the psychological and cultural context for each gender or sexual identity in a comprehensive, realistic, and affirming way.

Washington Post * 10 Best Graphic Novels of 2022 A vibrant and informative debut with "great documentary power" (Alison Bechdel), Fine is an elegantly illustrated celebration of the transgender community. As graphic artist Rhea Ewing neared college graduation in 2012, they became consumed by the question: What is gender? This obsession sparked a quest in which they eagerly approached both friends and strangers in their quiet Midwest town for interviews to turn into comics. A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as "How do you Identify" produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns--and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing's own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art--and by creating something this very fine. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms.

Queering the Color Line transforms previous understandings of how homosexuality was "invented" as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white "color line," the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality. At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public's attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual "deviance" were used to reinforce each other's terms. She provides original readings of such texts as Havelock Ellis's late nineteenth-century work on "sexual inversion," the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson's Autobiography of an Ex-Coloured Man, and Jean Toomer's fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality. Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies.

When their now famous ex-boyfriend asks them to participate in a teen reality show, two eighteen year old girls--one bent on revenge, the other open to rekindling romance--get tangled up in an unexpected twist when they fall for each other instead in Never Ever Getting Back Together by nationally and internationally-bestselling and Indie Next Pick author Sophie Gonzales. "Wickedly funny [and] searingly sexy."--Kelly Quindlen, author of She Drives Me Crazy It's been two years since Maya's ex-boyfriend cheated on her, and she still can't escape him: his sister married the crown prince of a minor European country and he captured hearts as her charming younger brother. If the world only knew the real Jordy, the manipulative liar who broke Maya's heart. Skye Kaplan was always cautious with her heart until Jordy said all the right things and earned her trust. Now his face is all over the media and Skye is still wondering why he stopped calling. When Maya and Skye are invited to star on the reality dating show Second-Chance Romance, they're whisked away to a beautiful mansion--along with four more of Jordy's exes--to compete for his affections while the whole world watches. Skye wonders if she and Jordy can recapture the spark she knows they had, but Maya has other plans: exposing Jordy and getting revenge. As they navigate the competition, Skye and Maya discover that their real happily ever after is nothing they could have scripted.